
Stan Wilczynski
New York City, 1969
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Stan Wilczynski was my first sweetie. Both of us had never been so deeply in love before not to mention being in love with another man and it changed our lives. Stan was spooky, moody, and had an uncanny ability to reveal the tethers society used in order to control citizens.
One memory I have of Stan took place before we knew we were in love with each other. We were walking, single-file, through cattails and other high grasses by a creek contributory of the Fenway in Boston. He placed his hand on my shoulder, as if being led. I seemed to me at the time, that we had duplicated a scene from Jean Cocteaus film Testament of Orpheus. In the film, Cocteau himself was being led by a male guide through a surreal landscape. The emotion in the film and our real life experience felt very intimate.
For weeks I had been feeling very close to him we had become best friends and his touch electrified me. He later told me that the film had likewise been on his mind. Sometime later, we discovered that Cocteau, a major artistic force in the 20s, was also gay.
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