
Stan Wilczynski
New York City, 1969
|
Stan Wilczynski was my first sweetie. Both of us had never been so deeply in love before — not to mention being in love with another man — and it changed our lives. Stan was spooky, moody, and had an uncanny ability to reveal the tethers society used in order to control citizens.
One memory I have of Stan took place before we knew we were in love with each other. We were walking, single-file, through cattails and other high grasses by a creek contributory of the Fenway in Boston. He placed his hand on my shoulder, as if being led. I seemed to me at the time, that we had duplicated a scene from Jean Cocteau’s film “Testament of Orpheus.” In the film, Cocteau himself was being led by a male guide through a surreal landscape. The emotion in the film and our real life experience felt very intimate.
For weeks I had been feeling very close to him — we had become best friends — and his touch electrified me. He later told me that the film had likewise been on his mind. Sometime later, we discovered that Cocteau, a major artistic force in the 20s, was also gay.
|